Follow. There is still space for other languages, and art is one of them. Then there are those who would like the art object to have a direct consequence – and one often hears the same story, why art, why not direct action? Do you want viewers to identify with those political lines? There were artists across age groups, and artists across geography – you had a Carl Andre next to a Jenny Holzer or a Douglas Gordon, and about 10 or 15 artists from the gallery – and they were all speaking to each other, and speaking in the same language. Abroad, you see a diverse group of viewers, of all ages, visit public art institutions, but here in South Asia you really see how it is a small audience. Internationally acclaimed artists Rashid Rana and Shilpa Gupta talk about their collaboration at the 56th Venice Biennale. Click here to join our channel (@indianexpress) and stay updated with the latest headlines. With the project Aar Paar (2002), a public art project between India and Pakistan, we just exchanged images and put them out on the streets. Five skincare trends set to take 2021 by storm, Interview: Signal COO on why 'privacy is not a passing trend', Virat Kohli's midnight call that led to 'Mission Melbourne', Samsung Galaxy S21 Ultra review: The best gets better, Alphabet shuts Project Loon to beam internet from high-altitude balloons, As dragon fruit becomes 'Kamalam', netizens revise these popular phrases, Biden reverses another Trump legacy, unblocks Chrissy Teigen on @POTUS Twitter handle, 'Why was Gabbar punished?' Now, Shilpa Shinde has reacted to Vikas Gupta dragging her name in Bigg Boss 14. SG: I think there is always another life to the work, and it can exist outside the white cube as much as it does inside it. Therefore, the idea of distance – physical, geographical, or imaginary – often appears in my works. Later, both of them tried to mend ways, but that did not work. I prefer “everyday” art. Internationally acclaimed artists Rashid Rana and Shilpa Gupta talk about their collaboration at the 56th Venice Biennale. But then India has been no different from our neighbour China, and we, too, have seen the rise of a political pop. Today, several places are grappling with a right-wing majoritarianism, resulting in strong feedback for the sound installation For, in your tongue, I cannot fit: 100 jailed poets (2017-18) based on 100 poets who’ve been incarcerated. Blame, 2002–04. Studio International is published by: The word political makes me feel uncomfortable – it seems to distance what one does from the everyday, which is where my work stems from. How integral is writing to artmaking for you? Recent Works of Shilpa Gupta, Yvon Lambert Gallery, Paris Ami Barak, Take On Art Magazine, Review, International Reviews, Vol 1, Issue 01, Pg 142, New Delhi, January-March 2010. UP Police gives Covid-19 twist to Sholay scene, Jio now offering 1GB data for Rs 11: Here’s what Airtel, Vi and BSNL are offering, Madam Chief Minister movie review: Richa Chadha’s film is strictly passable, Islamic State claims responsibility for deadly twin blasts in Baghdad, IISc researchers develop software platform for tracking missing persons, objects, WandaVision is a game changer for MCU. Posted on 12/06/2015 by Art Radar. By Enrico on 20. How do you ‘engage with the idea of distance’ in WEARECLOSERTHANYOUEVERIMAGINED, on view at the main … How do you feel this dialogue has evolved since, given the recent trend towards showing and making “political work”, which often results in a superficial engagement with any real politics. Her work has been showcased everywhere from New Delhi to New York, from Tokyo to Tel Aviv, from art galleries in Austria to taxis in Toronto. While there is a central idea in each of them, the text is intentionally fragmented to reflect on the way ‘thought’ can travel, node to node, somewhat also mirroring the hyperlinked, hyper-present, online space. Another part references a past project, While I Sleep (2008), and links with the subversive movements which continue in the dark (in the Borderlands Series), that says: ‘Still They Know Not What We Dream’. I’ve made four such flap boards in the past 12 years. Meanwhile, with such sort of fan frenzy and credibility, Shilpa Shinde enjoyed a decent sum for her stint in Bhabi Ji Ghar Par Hai. I’d made the work after spending time in Srinagar. Shilpa Shukla starrer "Criminal Justice" talks about her character in conversation with Sujay Gupta, Tonight at 8pm on Saturday Stardom. jun 20, 2012 . Text is a kind of sign which we beam to each other, and, therefore, it enters my toolbox as a form. Artist Shilpa Gupta, 39, and Pakistani artist Rashid Rana showcased at the Venice Biennale last year. Shilpa Shinde reacts to Vikas Gupta DRAGGING her name in the show; says, ‘ Don’t even talk about him’ January 7, 2021 0. Gupta creates artwork using interactive video, websites, objects, photographs, sound and public performances to probe and examine subversively such themes as desire, religion, notions of security on the street and on the imagined border. And it’s about inhabiting a space that is actually a shared space, and sort of collapsing the space between you and me – so that we are able to think together. Untitled, MS Gate which swings side to side and breaks the walls, 2009. She sculpts them, using fine copper wires beaten and bent by hand to mimic their topographies. What is it with the art object, and can it align itself to ideas that are larger and more distant than those on which it has a direct influence? Embedded Structures: An Interview with Shilpa Gupta . SPOTBOYE. I’m interested in how various subjectivities alter the way we make meaning. I have a scar on my back that I have made work about before. 100 hand-drawn maps of my country, 2008–ongoing. Bigg Boss 11 winner Shilpa Shinde and her nasty fights with Vikas Gupta are still remembered by all. ... Shilpa Gupta is largely regarded as an iconoclast of installation art. Now, in an exclusive interview with Pinkvilla, Shilpa opened up about her name being brought up on the current season by Vikas. Interview : Rashid Rana and Shilpa Gupta on ‘My East in Your West’, their joint collateral event at Venice Biennale 2015 My East Is Your West, a collateral event of the Venice Biennale to be held in Palazzo Benzon, is a coming together of two contemporary artists – Shilpa Gupta and Rashid Rana – from India and Pakistan respectively. For More Such News & Gossips Subscribe now! SAT: It is interesting that you mention the aspirational nature of the nation state boundary, as there does seem to be an “I” implicit in the work – and in a lot of your other work, too. We can’t help touch ourselves. How do you ‘engage with the idea of distance’ in WEARECLOSERTHANYOUEVERIMAGINED, on view at the main railway station in Chemnitz, Germany? Shilpa Gupta: BlindStars StarsBlind / BodhiBerlin / Interview with Shilpa Gupta and Shaheen Merali. Since its inception, the India Art Fair has become a Mecca for Indian artists, curators, collectors, dealers and consultants, who come from all over the country and from elsewhere. Wheredoiendandyoubegin will be shown next month at Fondazione Merz in Turin, Italy. 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Maybe we are trying to look for authenticity but we already know that it is a memory that is punctured. In a deeply personal interview, she admits to a feeling of surprise when anyone says they are moved by her works WEARECLOSERTHANYOUEVERIMAGINED is a motion flap board, the one you find at a train station or airport, a creature of the transit zone. But for this show, Carl Ganem [a young collector] curated the exhibition by picking from the gallery’s collection. These map lines have become so hard – and they have not always been that way: since they were first drawn, they have been porous and things have spilled outwards or inwards. Here's Shilpa Gupta talking about her work: Voice of the poets from the prison - Shilpa Gupta. In an exclusive interview with Lehren shilpa shinde finally opens up about her relationship with vikas gupta. Instead of beaming the usual schedules, as it is programmed to do, it has started to malfunction, and, in doing so, it exposes the aberrations. 28/06/2020. And I was just amazed at how my work sat so seamlessly in the space. The 35-minute piece looks at the idea of contagion, infiltration and seepage, which is especially impossible to contain, in the age of hypermedia. Another fragment – ‘What you want to hear is not what it is, but what you want it to be’ – is a response to herding and trying to make sense of the fake messages that keep beeping on my phone. And maybe the “I” opens up that possibility. There is so much we experience as human beings, and not all of it can be expressed through verbal language. The biggest news stories of 2020. Written by Vandana Kalra | Updated: September 6, 2020 6:26:42 am Shilpa Gupta. Shilpa Gupta: In the 90s, the nature of the work I was doing was different from that of my peers, and, while there was a curiosity about it, there was also a tension – the work is like this. 1:08. For example, “12:00 Date with Mum Cancelled” refers to time in suspension and not being able to meet my mother owing to social distancing, “17:00 Sirens” is the time police vans outside my streets would drive by, making sure that streets get emptied. This current moment reminds us that our bodies are vulnerable to the invisible virus, and that we are closer than we ever imagined. It looks at the idea of the nation state as being, well, what we would like to imagine the nation state to be. Interviews; Künstler & Kunstlexikon; Wir über uns; Newsletter; Kontakt. UNCUT-Shilpa Shinde talks about Aamir Khan,Papon Controversy at CTDC Fashion Academy 2018 | SpotboyE. Many places which have chosen democracy and freedom several decades ago are increasingly dealing with fear being wielded to curtail free speech. In this interview, Gupta talks about the exhibition now on show at Vadehra Art Gallery, Delhi, and how politics informs her work. Artist Shilpa Gupta, 39, and Pakistani artist Rashid Rana showcased at the Venice Biennale last year. Shilpa asserted how she doesn’t want to give any kind of footage to Vikas, as he might try to gain sympathy for this as well. But I see how curators are interested in the idea of the language of a place. The flap board engages with the idea of distance – socially, economically or geographically – which has been perpetuated, and, on the other hand, the distance we’ve been advised to keep with our hands and face, which is impossible to maintain. Noch nicht erschienene Titel. SG: In 2010, I was in a show at Yvon Lambert Gallery in Paris, Wish List of a Young Collector, and at the same time there were a lot of these big “India” shows going around. Shilpa Gupta. As is the nature of the “political art object”, it is sometimes difficult to determine the context of the work or its political position. The process of making a flap board is like going on a long inward walk, gathering clouds – to be found in the form of scribbles in book margins, typed in a notepad file, or resolved and unresolved experiences one seeks answers for – slowly weaving them together and blowing them to let them float away. In South Asia, whether it is raising funding or gathering the infrastructure to make work, and to put on shows, you have to put in a lot of your own time and effort. I was offered an amount for travel, but, instead, I used the money for making the work, and had 1,500 boxes crocheted by different women. Listening and reading helps decode the complexities of human feelings. Shilpa Gupta doesn’t like to speak about her art. Maybe it’s just another scar, I kept saying. It is expanding now, but we have such a long way to go, and we all need to work for it. There was something about, not just the language, but the act, the method of talking, the dialect of speaking – there was just an overlap somewhere. Shilpa Gupta Speaking Wall, 2010, motion sensor, bricks, LCD screen and headphones. New York, NY 10021-0043, USA, About Shilpa Shinde Files Police Complaint Against CINTAA! So you’re constantly being someone else as you are reading. There was a work I made for the show New Indian Art: Home Street Shrine Bazaar Museum at Manchester City Gallery in 2002, and I brought in more than 1,500 objects that had been crocheted. So you enter the space with these boxes and each box had a tag on it: “This object has been blessed by so-and-so such that it will bring peace and happiness where it stands crocheted by …” and their location. Shilpa Gupta doesn’t like to speak about her art. Shilpa Gupta (b.1976) lives and works in Mumbai, India where she has studied sculpture at the Sir J. J. “I am watching Bigg Boss 14. I was showing a work in the Lyon Biennale in 2009, Untitled, which is a gate that moves from left to right and breaks into a wall with its movement. In an interview with Pinkvilla, she said, "I am not watching Bigg Boss 14. I spoke with the … But also working on the idea: is this craft, this crocheting, also art? Yet it has become an identity that people want to stand by, and to really look through that lens. Subscribe Here https://lnkd.in/eFnXZzM for more updates.. #Interview #SaturdayStardom #sujayguptalive #searchglassfilms #Knovalt #Celebrity #CelebrityInterview #latenightshow #ChatShow #LiveShow #zoominterview SAT: This is certainly a work that resisted the white cube, I think. Shilpa Gupta: ‘I am always playing with the idea of the location in the work’ The Mumbai-based artist Shilpa Gupta talks about her practice, notions of identity and nation states, and how she prefers her work to be called ‘everyday art’ rather than terming it political. Gupta says: “There are works of mine that sit in the white cube, or which float in the white cube, or those that slip out of the white cube entirely.” And it is a useful descriptor of her practice – there is always room for the political to falter. Of course, she gives the occasional interview, but not without struggle. 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